Profil użytkownika peter-rainer-christian-science
Don Jon (2013)
i 2 inne zdjęcia
True love beckons in the guise of a dingbat played by Julianne Moore and all is right with the world. As Jon’s father, a man whose lifeblood is yelling, Tony Danza is very funny. He makes...
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Prisoners (2013)
i 2 inne zdjęcia
For all its pretensions and intermittent power, is essentially high-grade claptrap.
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Harry Dean Stanton: Partly Fiction (2012)
i 1 inne zdjęcie
It’s a truism, reinforced here, that actors often are the last to comprehend how they do what they do. No matter. What they give us is all that counts.
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Salinger (2013)
By turns fascinating and infuriating.
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Our Nixon (2012)
We get to see film of daughter Tricia’s wedding (her father is a surprisingly agile ballroom dancer) and other oddities. We also hear more of the famous audiotapes than usual. You’ll be i...
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Ain't Them Bodies Saints (2013)
i 1 inne zdjęcie
Thematically at least, it’s like a John Ford movie with pickup trucks. But everything plays out with a sodden deliberateness, as if something mythic were going on. No such luck.
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Elysium (2013)
Blomkamp overdoes even his best effects. (I would have welcomed more vistas of Elysium to break up the grungefest.) If Elysium is an example of how recession-era Hollywood intends to dram...
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We're the Millers (2013)
The blue humor in We’re the Millers is just bland. And yes, Aniston performs a (modified) striptease. That’s pretty bland, too.
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2 Guns (2013)
It’s essentially a buddy-cop romp with the usual assortment pack of graphic gruesomeness.
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The Spectacular Now (2013)
James Ponsoldt, who directed from a script by Michael H. Weber and Scott Neustadter, is a bit too glib to do justice to this material, but the young actors, especially Woodley, are quite ...
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